Redaktor naczelny
Pasjonat kultury azjatyckiej z głębokim uznaniem dla różnorodnych filozofii świata. Z wykształcenia psycholog i filolog - koreanista. W sercu programista (gł. na Androida) i gorący entuzjasta technologii. W chwilach spokoju hołduje zdyscyplinowanemu stylowi życia, głęboko wierząc, że wytrwałość, nieustający rozwój osobisty i oddanie się swoim pasjom to mądra droga życia.
Osobiste motto:
"Najpotężniejszą siłą we wszechświecie jest procent składany." - Albert Einstein (prawdopodobnie)
Mike Soray
(aka Michał Sobieraj)
The Reiwa era, beginning on May 1, 2019, marks a significant moment in the history of naming Japanese epochs. For the first time, an era name was inspired by Japanese rather than Chinese classical literature. Characterized by the kanji "令" (rei) and "和" (wa), Reiwa draws from a poem about blooming plums in the "Man’yōshū," the oldest existing collection of Japanese poetry.
While Reiwa in a literary context signifies "fortunate" or "auspicious" harmony, some note alternate connotations of the character "令," which can mean "order" or "command." Similarly, the character "和" used in "Yamato," an old name for Japan associated with the country's military aspect, brings different connotations.
The naming of the new era carries great significance. Like gengo throughout Japan's modern history, Reiwa is meant to symbolize a new start and direction for Japan. The Prime Minister of Japan indicated that the new era should reflect pride in the country's history and traditions along with hope for the future.
Like previous imperial eras, Reiwa will over time become closely associated with significant domestic and national events. The Meiji era (1868-1912) is remembered for modernization, the Showa era (1926-1989) for rapid economic growth but also Japanese militarism and World War II. The Heisei era (1989-2019) brought the end of the economic bubble and strained relations with China, as well as being marked by the Tokyo subway terrorist attack, the Kobe earthquake, and the Fukushima disaster in 2011.
"Reiwa" means "beautiful harmony." The kanji "令" (rei) can be interpreted as "beautiful" or "good," and "和" (wa) as "harmony" or "peace."
The Reiwa period began with the ascension to the throne of Emperor Naruhito in 2019. It is a time for reflecting on the past and looking towards the future, with hopes for peace and progress.
Contemporary Japan faces many challenges, including further aging of the population, climate change, and the need to adapt to a rapidly changing global environment.
In the Reiwa period, Japan is focusing on technological innovations and sustainable development, striving for harmonious coexistence with nature and the rest of the world. This is a time when Japan continues to play a significant role internationally, both economically and culturally.
"Heisei" means "achieving peace." The kanji "平" (hei) means "peace" or "tranquility," and "成" (sei) means "achieve" or "realize."
The Heisei period began following the death of Emperor Hirohito. It was a time of facing new economic challenges, including stagnation and the speculative bubble of the 90s.
The Heisei era was also a time of tremendous technological progress and further globalization. Japan strengthened its position as a leader in technological innovation.
This period also witnessed significant social changes, including an aging population and demographic shifts. Key events included natural disasters such as the Kobe earthquake in 1995 and the Great East Japan Earthquake and tsunami in 2011.
"Showa" means "bright peace." The kanji "昭" (sho) means "bright," and "和" (wa) means "peace" or "harmony."
The Showa period encompasses both World War II and the post-war economic boom. It was a period of dramatic changes, from totalitarian expansion before and during the war to peaceful reconstruction and economic growth afterward.
After the war, Japan experienced significant economic growth, becoming one of the world's largest economies. The development of technology, industry, and exports were key elements of this success.
The Showa period was also a time of significant social and political changes, including the introduction of a new pacifist constitution and the development of democracy.
"Taisho" means "great righteousness." The kanji "大" (tai) means "great," and "正" (sho) means "correct" or "righteous."
The Taisho period was a time when democratization and political liberalization progressed, partly influenced by the successes of the Meiji era and social changes following World War I.
This was also a period of cultural and artistic development, with visible Western influences in literature, painting, and theater. It was an era of increased social and cultural awareness.
The Taisho period also brought challenges such as economic disaster and rising political tensions, which eventually led to an increase in military and authoritarian approaches in the following era.
"Meiji" means "enlightened rule." The kanji "明" (mei) means "bright" or "enlightened," and "治" (ji) means "to govern." This name reflects the aspirations for reforming the country and restoring imperial power.
The Meiji period begins with the Meiji Restoration, which marked the return of power to the emperor and the end of the Tokugawa shogunate. It was a time of intense modernization and Western industrialization.
During the Meiji period, Japan underwent profound social and political changes, introducing a constitution and a parliamentary system of government. Reforms also included education, law, and the military.
The Meiji era was also a period of opening Japan to the world and active participation in international political and trade relations, significantly contributing to the rise of its status as a modern state.
The name "Edo" comes from the city of Edo, now known as Tokyo, which was the capital of the Tokugawa shogunate.
The Edo period is known for its long-lasting peace and stability, achieved through strict social and political control by the Tokugawa shogunate. It was a time of isolation of Japan from the rest of the world (sakoku policy), limiting external influences and foreign trade.
Despite the isolation, the Edo period was also a time of intense cultural development, especially among the merchant class. This was when art forms such as ukiyo-e (woodblock prints), kabuki literature, and bunraku (puppet theatre) emerged.
The Edo period saw an increase in population and urbanization, as well as the development of education and a refined urban culture. Despite its stability, this period ended with significant political and social changes, leading to the Meiji Restoration and the end of the shogunate era.
The name "Azuchi-Momoyama" comes from the Azuchi and Momoyama castles, which were significant political centers during this time. Azuchi Castle was the residence of Oda Nobunaga, and Momoyama Castle was the residence of Toyotomi Hideyoshi.
This was a period of unification of Japan under the leadership of Oda Nobunaga and his successor, Toyotomi Hideyoshi. Their actions led to the end of prolonged civil wars and the establishment of a stronger central authority.
The Azuchi-Momoyama period saw the development of a refined court culture and impressive architectural works, including monumental castles that served both defensive and representative purposes.
This period was also characterized by greater openness to Western contacts and the introduction of new technologies, such as firearms. However, it was also a time that foreshadowed the subsequent period of isolation that occurred during the Tokugawa shogunate.
The name "Muromachi" comes from the Muromachi district in Kyoto, where Ashikaga Takauji, the founder of the Ashikaga shogunate, established his headquarters. The kanji "室町" (Muromachi) refer to this location.
The Muromachi period begins with the establishment of the Ashikaga shogunate. It was a time of conflict and internal political struggles, and a period when the central authority of the shogunate weakened in favor of regional feudal lords, the daimyō.
Despite the political unrest, this was also a period of cultural and artistic flourishing, especially in the traditions of the tea ceremony, ink wash painting, and Noh theatre. The art of the Muromachi period was characterized by greater simplicity and subtlety, reflecting Zen influences.
The Muromachi period also saw the development of foreign trade, particularly with China and Southeast Asian countries. This was also the time of the first contacts with Europeans – the Portuguese, who arrived in Japan in 1543.
The name "Kamakura" derives from the city of Kamakura, which became the political center of Japan during this period. The kanji "鎌倉" (Kamakura) refer to this geographic location.
The Kamakura period was a time when power shifted from the court aristocracy to the warrior classes. This marked the beginning of the era of samurai dominance in Japanese history.
Minamoto no Yoritomo established the Kamakura shogunate, the first military-feudal government in Japanese history. This was the start of a new form of governance, where the shogun was the de facto ruler of the country, despite the formal power of the emperor.
During the Kamakura period, there was a development of samurai culture, with a particular emphasis on the bushidō code. It was also a time when Zen Buddhism and Pure Land Buddhism (Jōdo) became popular among all social classes, introducing new aspects to Japanese spirituality and culture.
The name "Heian" comes from Heian-kyō, now known as Kyoto, which was the capital of Japan during this period. The kanji "平安" (Heian) means "peace" and "tranquility."
The Heian period is considered the golden age of Japanese culture, art, and literature. It was during this time that works such as "The Tale of Genji" by Murasaki Shikibu, considered one of the world's first novels, were created.
A distinctive feature of the Heian period was the refined court culture, emphasizing aesthetics, poetry, and ceremonies. Although formal power remained in the hands of the emperor, real political power began to shift to the aristocracy and warrior clans.
The Heian period also saw the development of Japanese forms of Buddhism, such as Tendai and Shingon. The art of the period was dominated by subtlety, elegance, and detail, reflecting the refinement and taste of the Heian aristocracy.
The name "Nara" comes from the city of Nara, which was the capital of Japan during this period. The kanji "奈良" (Nara) refers to the geographical location and does not have a direct translation related to the characteristics of the era.
The Nara period is known for establishing the first permanent capital of Japan in Nara. It was a time of political consolidation, cultural and artistic development, mainly inspired by the Chinese model of the state. The Ritsuryō system, based on the Chinese legal system, was introduced. This system regulated aspects of political, social, and economic life, establishing a centralized, bureaucratic form of government.
Buddhism played a significant role in the cultural and religious life of the time. Numerous temples were constructed, and Buddhist art reached the height of its development. Some of the most important works of Japanese art and literature, including the first literary works written in the Japanese language, originate from the Nara period.
The name "Asuka" comes from the Asuka region, which was the political and cultural center of Japan during this period. The kanji "飛鳥" (Asuka) does not have a direct translation related to the characteristics of the era but refers to the geographical area of the same name.
The Asuka period was a time when further centralization of power occurred, along with the official introduction of Buddhism to Japan. Buddhism, brought from Korea, had a significant impact on Japanese culture, art, and religion.
Art during the Asuka period was characterized by strong continental influences and the development of a unique style. This era saw the construction of the first great Buddhist temples, as well as numerous sculptures and sacred art pieces.
The Asuka period witnessed key changes in the political and social structure, contributing to the formation of the classical Japanese state. It was then that the foundations for the later Ritsuryō system were laid, organizing Japanese society according to strict legal and administrative codes.
The name "Kofun" comes from the characteristic burial mounds of this period. The kanji "古" (ko) means "old," and "墳" (fun) means "burial mound." The Kofun period, or "the period of old burial mounds," is named after these monumental grave structures, which had significant importance for the society and culture of those times.
The Kofun period is known for the development of large burial mound structures, called kofuns. These imposing constructions were intended for the elite, including clan leaders, indicating an increasing centralization of power and a growing social hierarchy.
This period saw the formation of a proto-state, with clear structures of governance. It was a time when Japan began to develop its unique identity, differentiating itself from continental influences. The Kofun period witnessed significant changes in art, religion, and society.
Despite a greater isolation from the Asian continent compared to the Yayoi period, contacts were not completely severed. Cultural influences from Korea and China continued, albeit to a lesser extent, impacting the cultural and technological development in Japan.
The name "Yayoi" originates from a district in Tokyo, where distinctive artifacts from this era were discovered in 1884. The kanji "弥" (ya) means "more and more," and "生" (yoi) means "life" or "birth." The name suggests flourishing and development, reflecting significant social and technological changes during this period.
The Yayoi period was a time of significant social and technological transformations in Japan. The most crucial change was the introduction of rice cultivation, which had a profound impact on community organization and societal structure. Larger, more organized communities began to form, alongside the development of metallurgy, particularly the processing of bronze and iron.
During the Yayoi period, preliminary forms of statehood began to take shape. Society became increasingly complex, and a hierarchy emerged, leading to the establishment of the first forms of tribal and clan governance. This time also saw the formation of power patterns and influences, which eventually led to the creation of the Japanese state.
The Yayoi period also marked a time of increased contact with the Asian continent, especially with Korea and China. These contacts introduced new technologies, ideas, and cultural patterns to Japan, significantly influencing the further development of Japanese society and culture. These influences were visible in art, crafts, as well as political and religious systems.
The name "Jomon" (縄文) originates from the characteristic style of pottery found during this period. The kanji "縄" (jō) means "cord," and "文" (mon) means "pattern" or "ornament." Jomon pottery is known for its patterns created by pressing cords into clay, which gave the entire epoch its name. This period was named by the American zoologist, archaeologist, orientalist Edward S. Morse, who discovered such pottery during excavations in Omori in 1877.
The Jomon period is recognized as the beginning of permanent settlement in Japan. It was characterized by a hunter-gatherer culture, with the beginnings of agriculture and permanent settlement. The population lived in small communities, building pit dwellings, and engaging in gathering, hunting, fishing, and primitive agriculture.
The art of the Jomon period is unique for its pottery, considered among the oldest in the world. Besides pottery, the Jomon people created figurines known as "dogū," which likely had a ritual significance. It was also a period in which early forms of religious beliefs and rituals began to take shape.
The Jomon period was marked by significant environmental diversity. Climate changes and the variety of local environments led to the development of various regional cultures in Japan. Over time, towards the end of the Jomon period, the first influences from the Asian continent began to appear, heralding changes that would occur in the subsequent Yayoi period.
Historical Jigsaw Puzzle
Immersing oneself in the history of Japan is like traveling through a complex yet fascinating labyrinth of time, where every corridor and turn hides extraordinary stories and cultural treasures. The history of this unique archipelago, stretching from prehistoric times to the modern Reiwa era, is like a richly illustrated chronicle, filled with events that have shaped not only the Japanese islands but also had an impact on the entire region and the world.
However, for many, even avid history enthusiasts, understanding and organizing this vast tapestry of time can be a challenge. The key to deciphering this puzzle lies in the knowledge of Japanese historical eras, which form the foundations supporting the entire narrative. Each era, from the ancient Jomon to the golden age of Heian, and up to the dynamic contemporary times, has its unique features and significance. These temporal divisions not only help organize the chronicle of events but also provide context, allowing for a better understanding of the social, political, and cultural transformations.
Let's take a bird's-eye view of the history of Japan, through all the historical eras in order, to arrange in our minds the sequence of changes in this country and be able to more easily place individual events, battles, or turning points in the broader context of Japan's historical continuum.
Today We Are in the 15th Era
Who and How Is an Era Determined?
In Japanese history, the change of long historical periods, known as "jidai," often correlates with significant social, political, or cultural changes. These periods are not officially established by the emperor or the government but rather emerge as a result of retrospective historical analysis. For example, historians may define a period based on the dominant form of governance, significant historical events, or changes in society and culture.
On the other hand, the "nengō" system pertains to specific years and is directly linked to the imperial throne. The decision on the name and beginning of a new "nengō" era traditionally belonged to the emperor and his advisors. The change in "nengō" could occur for various reasons, most commonly with the accession of a new emperor. Each "nengō" name reflects aspirations, hopes, or important characteristics of the period. For instance, the 'Heisei' era (平成), meaning 'achieving peace,' began in 1989 following the death of Emperor Hirohito.
Thus, the division into "jidai" is more general and based on retrospective historical analysis, while "nengō" is a specific name for a year or series of years, officially established by the emperor. In our article, we will focus on "jidai," or long historical periods, being aware that there are also other methods of classification and division of Japanese history.
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