The 1990s brought Polish viewers countless hours of joy through Japanese anime series, known at that time as "Chinese cartoons." We have already written about some of them, like Yattaman, Tiger Mask, and Daimos. All these gems of Japanese animation from the 70s~80s, purchased on discounted licenses from an Italian distributor, were broadcast on the unique and unparalleled channel Polonia 1, a pioneer of Polish-Japanese relations, a capital of innovative programs like "Escape," and the only source in Poland for the category "October Shows." But more on that shortly.
One of the titles that particularly remained in the memory of many young fans, despite hundreds of hours of psychotherapy in adult life aimed at erasing this trauma from memory, was the series "October Shows." Oh, sorry, I meant the anime "In the Kingdom of the Calendar," known outside Poland as "Yattodetaman."
The Polish version, thanks to improvements and innovations, significantly surpassed the original Japanese version, mainly due to that specific charm we owed to the characteristic narrator, whose bass voice thundered over the shrill Italian dubbing.
The anime "In the Kingdom of the Calendar" was distinguished not only by its colorful visual setting but also by its unique approach to the plot, where characters representing different months had their unique traits and roles. Hm… one would also like to write that this series was also characterized by a unique approach to logic. To reality. To humor. And certainly to knowledge. Because, after all, each of us gained knowledge about the world thanks to educational mini-episodes, so eagerly awaited in every episode, called "October Shows," right? No?
Let's find out, after 30 years, what it was really all about!
The creator of the "Time Bokan" series and many of its branches, including "Yattodetaman," is the Japanese animation studio Tatsunoko Production. Founded in 1962 by Tatsuo Yoshida along with his brothers Kenji and Toyoharu, Tatsunoko Production became famous for creating innovative and influential anime series that had a significant impact on the development of this art form in Japan and worldwide. "Time Bokan" became one of their flagship projects, known for its unique humor, dynamic action, and colorful characters, which often broke the fourth wall, speaking directly to the viewer.
As the main creator and visionary, the founder of Tatsunoko Production, Tatsuo Yoshida was the brain behind many of the studio's classic productions, which have gone down in the history of Japanese animation. Kenji, specializing in business management, and Toyoharu, who later took the pseudonym Ippei Kuri and focused on production and direction, together contributed to the development and innovation in the studio. Their collaboration brought a series of important titles, such as "Speed Racer," "Gatchaman," and "Time Bokan," which defined genres and set new standards for future anime productions.
Time Bokan distinguished itself from the very beginning with its unique approach to narration, combining elements of comedy, adventure, and science into one coherent whole. "Time Bokan" quickly gained popularity thanks to its humorous treatment of historical and fictional events, where the heroes traveled through time to explore different eras and cultures. The ingenuity in creating characters, unique vehicles and time machines, and characteristic graphic motifs made "Time Bokan" a cult series that initiated an entire franchise encompassing many different titles.
"Yattodetaman," which is one of the many continuations of the "Time Bokan" series, premiered in 1981 and quickly gained the status of one of the more distinctive titles in the entire franchise. This 52-episode series introduced a new set of heroes to the universe, including a trio of antagonists – September, October, and Princess Monday, as well as heroes – Beppe (Yattodetaman) and Tina. Here we see a clear reference to the earlier series – Yattaman, where a trio of antagonists (Miss Dronio with Boyakki and Tonzura) fought against two kids: Gan-chan and Ai-chan.
"Yattodetaman" also stood out with a unique plot focused on the battle for control over the "kingdom of the calendar," a fantastic world where each month was represented by different characters, adding layers of allegory and symbolism to the series.
From the perspective of the "Time Bokan" universe, "Yattodetaman" brought fresh and creative approaches to the concept of time travel, exploring not only the physical movement of heroes between different epochs but also a more abstract and creative approach to time as a theme. Regardless of the place in the timeline, the heroes consistently got involved in fun and action-packed adventures. This unique blend of humor, adventure, and science attracted fans in Japan and around the world, reinforcing "Yattodetaman's" position as an important element in the history of anime.
Full name: "タイムボカンシリーズ ヤットデタマン"
(Time Bokan Shirīzu Yattodetaman)
"Time Bokan Series: Yattodetaman"
The name "Yattodetaman" refers to a triumphant exclamation: "Yatta" in Japanese means "I did it!" or "It worked!", reflecting the optimistic tone of the series. "Detaman" can be seen as a playful distortion of the word "daiman," which implies "always" or "forever," suggesting an endless pursuit of adventure and victory. Together, "Yattodetaman" can be interpreted as a cry of joy and a constant striving for success, perfectly fitting the energetic and dynamic character of the series.
In Poland, the series was known as "In the Kingdom of the Calendar," which was a significant departure from the original title. It was not the first time this happened: Gigi La Trottola originally is Dash Kappei, also not very similar. This change was likely intended to provide an easier-to-remember title in the native language for a series that focuses on adventures in a fantastic kingdom where time and calendars play an important role. I assume that someone decided that while the name "Yattaman" might still be somewhat remembered by the kids of the 90s, "Yattodetaman," due to those two extra syllables, might prove too difficult for the young viewer to master.
And so "In the Kingdom of the Calendar" was born. I don't know, it's a pity, I would have preferred "Yattodetaman." Although no! I would have preferred it to be named: "October Shows"!
"Yattodetaman" is a colorful saga about battles for power in the futuristic Kingdom of the Calendar. Following the king's death, the fate of the kingdom depends on finding the mysterious Cosmic Peacock. From the future, in the year 2980, Princess Sunday, a descendant of detective Beppe Tomorrow and his assistant Tina Yesterday, arrives asking for help in searching for this enigmatic creature. Along with a robot named "Robot," they confront the younger Prince Saturday and his cunning sister, Princess Monday, who dreams of establishing the Autumn Dynasty with the help of her subordinates, September and October.
Princess Monday and her team, equipped with the Peacock Computer, traverse time and space chasing the Peacock, which can transform into objects from legends and history. Meanwhile, Princess Sunday, using her telepathic abilities, intercepts this data and sets off in pursuit (or rather sends Beppe and Tina). Despite continual efforts from both sides, the Peacock inevitably escapes, reverting to its true form.
Similar to Yattaman, episodes of "In the Kingdom of the Calendar" are quite repetitive and can be characterized by the following routine:
The episode usually begins with a brief reminder of the current situation in the Kingdom of the Calendar, where both the heroes and the antagonist faction fight to find the Cosmic Peacock. The narrator may provide a brief summary of past events or reveal new information that will impact the ongoing plot.
Princess Sunday receives telepathic clues about the location and disguise of the Cosmic Peacock. At the same time, Princess Monday's group receives the same information via the Peacock Computer. Both sides prepare for the mission, planning their next steps.
Heroes and villains travel through time and space to reach the location of the Peacock. This part of the episode often includes humorous or unexpected events during the journey, adding elements of lightness to the story.
Upon reaching their destination, both teams strive to be the first to find the Peacock, which has disguised itself as some legendary or historical object. During the search, the heroes encounter various obstacles that often require cunning or combat power to overcome.
When one of the teams finds the Peacock, a confrontation ensues between the heroes and the villains. The fights are dynamic, filled with spectacular maneuvers and often end with a humorous failure of the antagonists. Before this happens, Beppe Tomorrow, who secretly is Yattodetaman, along with Tina, who is secretly in love with him, summon the Star King to face the opponents. After the battle, the Star King, guided by principles of honor, spares the defeated team of Princess Monday, unless they show no remorse. However, the treacherous nature of the opponents quickly becomes apparent, leading to further clashes for the throne of the Calendar Kingdom.
At a critical moment in the episode, the Peacock usually escapes, returning to its original bird form and disappearing, preventing either side from capturing it. This creates the need for continued searches in subsequent episodes.
The episode ends as the characters return to their bases and share their reflections on the day's events.
At the end, the narrator often summarizes the events of the episode, highlighting the inevitability of further adventures and maintaining the viewers' interest and tension.
Beppe - Known as Yattodetaman, he is the leader of the team of good heroes. Beppe is brave, determined, and full of optimism, often leading the action to thwart the villains' plans. He has the ability to summon the Star King, a huge robot that helps in the fight against the evil characters.
Tina - Beppe's partner, she is clever and agile, often using her intelligence to overcome traps and puzzles set by the antagonists. Tina also participates in summoning the Star King.
Princess Sunday - Another important character in the team, characterized by her gentleness and kindness. She often brings motivation to the team and supports them morally in difficult moments.
Robot - A reliable companion of the team, equipped with various gadgets and technologies, which are invaluable during missions. His technological abilities often save the team from trouble.
Princess Monday, September, and October – For some fans, they are indeed the most important part of this anime series. Princess Monday is a charismatic and slightly feisty leader of the villains, who are trying to take control of the Calendar Kingdom. September and October are her loyal, though often inept, helpers. This trio, though full of evil intentions, bring a lot of humor to the anime thanks to their constant blunders and comedic situations. Their unconventional methods and countless defeats ensure that they are not only a threat but also a source of entertainment.
In "Yattodetaman," both the good heroes and the villains contribute to the dynamic and humorous progression of the story, where the search for the Cosmic Peacock and the competition for power in the Calendar Kingdom lead through numerous adventures full of surprises and plot twists.
□ Similarities: In both series, the trio of antagonists plays a key role, providing humor through their inept attempts to acquire treasure. In "Yattaman" and "Yattodetaman," these characters are the main source of comedy, struggling with failures at every step.
□ Differences: In "Yattaman," the trio of villains - Doronjo, Boyacky, and Tonzura - show greater dependence on their leader, Doronjo. In "Yattodetaman," each of the three villains - Princess Monday, September, and October - seems to act more independently, leading to more varied interactions and more dynamic conflicts.
□ Similarities: In both "Yattaman" and "Yattodetaman," the main heroes form a duo that works together, using their skills and gadgets to combat villains and solve problems.
□ Differences: In "Yattaman," Gan and Ai form a more balanced team, where both have equally important roles. In "Yattodetaman," Beppe (Yattodetaman) often overshadows Tina with his role as leader and greater involvement in the fight.
□ Similarities: In both series, robots are important characters, supporting the heroes in their missions by providing technical and operational assistance.
□ Differences: The robot in "Yattodetaman" features more advanced technology and is an integral part of the heroes' strategy, whereas in "Yattaman," the robot often serves more auxiliary and comedic roles.
□ Similarities: Each series features a powerful robot (several to choose from: Yatta-dog, Yatta-pelican, etc.), which is summoned by the heroes to fight the main threats of each episode.
□ Differences: The main robot in "Yattodetaman," the Star King, has a more mythological and majestic character, while the robots in "Yattaman," although equally powerful, have a more mechanical and technical appearance.
□ "Yattaman": In "Yattaman," pigs play a special role, often appearing as mechanical animals supporting the heroes (or the trio of villains). One of the most characteristic is mecchan (mechanical animal), which has the ability to predict the course of battle, crucial for the strategies and actions of the heroes. These pigs not only provide comedy but also have a real impact on the development of the plot and action, often introducing unexpected twists.
□ "Yattodetaman": In "Yattodetaman," pigs also appear as important characters, but their role is differently defined. In this series, they can have various forms and functions, but they do not have such a clearly defined role in predicting battles as in "Yattaman." Instead, they may serve a more general role as humorous animals, adding lightness and humor to the series.
Yattodetaman, as part of the "Time Bokan" series, stands out with its unique and memorable elements that have gained a cult status among anime fans.
The scene of summoning the Star King in "Yattodetaman" is one of the most spectacular and exciting moments of the series. Beppe, already dressed as Yattodetaman, and Tina begin the ritual by inserting the key into a magical lock, which activates the summoning. Then Beppe, holding a flute, begins to play a special melody, signaling the Star King to appear. The sounds of the flute fill the air, adding drama as the huge, impressive silhouette of the robot slowly materializes in the background. The magical spell that Beppe utters, "By mystery and spell I urge your arrival, come forth, king, to aid us, do all within your power...", ultimately summons the Star King. The appearance of the robot is always associated with rising tension and anticipation for the upcoming battle, making this scene a climactic and unforgettable point of each episode.
The central element of the plot, the Cosmic Peacock, which could take on various forms and objects, added an element of mystery and unpredictability to the series. The search for the Peacock in each episode led through diverse worlds and epochs, key to diversifying the adventures.
These unique segments, in which the character October presented short, humorous videos, became one of the most recognizable and popular moments in the series. The "October Shows" were not only funny but also showcased the creators' creativity in exploring different forms of comedy and interaction with the audience.
Skulls and Other Visual Motifs
The antagonists of the series, including Princess Monday and her companions, often appeared in vehicles and machines adorned with skull motifs, adding style and character to the villains, making them simultaneously formidable and comically inept.
The battles between the Star King and various mechanical opponents were the climactic points of each episode, showcasing impressive visual effects and choreography. These confrontations, full of explosions and dramatic twists, were some of the most thrilling moments for viewers.
Both heroes and antagonists in "Yattodetaman" made use of a variety of gadgets and inventions, which not only served as tools in their adventures but also added humor and surprise, especially when these gadgets worked in unexpected and absurd ways.
These elements and moments contribute to the unique charm and appeal of "Yattodetaman," maintaining viewers' interest throughout the series and remaining in memory as some of the most iconic aspects of this anime.
Yattodetaman stood out in several important respects from its earlier Time Bokan versions—it introduced many innovations in animation, including the use of more advanced shading techniques, which were rare in television productions at the time. Additionally, not everyone knows that "Yattodetaman" was one of the first anime series to experiment with combining traditional animation with early forms of computer animation, which allowed for the creation of more dynamic battle scenes.
In Poland, thanks to broadcasts on Polonia 1 in the 1990s, "Yattodetaman" became a symbol of nostalgia for an entire generation. For many Polish viewers, this anime became a window to a different, fascinating world of Japanese culture and history, offering adventures and entertainment that other programs available at the time could not provide.
In conclusion, I can only suggest nothing else but a few links to the main axis and core of Yattodetaman, namely to... the October Shows:
A connoisseur of Asian culture with a deep-seated appreciation for various philosophies of the world. By education, psychologist and Korean philologist. By heart, an Android developer and an ardent tech aficionado. In tranquil moments, he champions a disciplined way of life, firmly believing that steadfastness, perpetual self-enhancement, and a dedication to one's passions is a sensible path for life.
Personnal Motto:
"The most powerful force in the universe is compound interest." - Albert Einstein (possibly)
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